Hay. The phantasmagorical work of Anna Raczyńska She extends his hands in front of her. On one of them I see a tattoo of the euro symbol. ShHe arranges heris fingers framing the landscape in front of her. I know it very well. I can smell the image in my nostrils. We used to call…
Lurking, Aesthetic of Withdrawal and Y2K. On Laureta Hajrullahu’s Practice The National Gallery of Kosovo | 2026 The world of games of the margins today proposes alternative modes of being online. It is no longer about yet another variation on the heroic journey, centered on a (most often male) protagonist driven by a progressive narrative…