I wrote the curatorial text for the exhibition “to undo, to crumble, to vanish” by Laureta Hajrullahu, on view from March 11 to May 14, 2026, at the National Gallery of Kosovo in Pristina. In her video-based practice and immersive installations, Laureta Hajrullahu draws on speculation, digital folklore, and the emotional residues of online life. Questions of privacy, gender, and online identity are therefore central to her work, as are the condition of the postborder and postdigital futures.